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Posted by Duane on Monday, December 31, 2007 @ 23:20:00 Mountain Standard Time
Alex Ferrari never ceases to amaze me with the quality of the work that comes out of his production company, The Enigma Factory. This time around, he sent me an anime style animated short that's being used to build up a buzz for an upcoming live action feature of the same name - Red Princess Blues.
The story in the animated short is about a 12 year old girl who takes a bat to the groin of a guy who raped her friend, basically insuring that he'll never rape anyone ever again. After that, she's sent by her grandmother to another country to find her father. When she arrives, she ends up in a book shop where her father was supposed to be, but finds another man named Nino instead. He tells her that her father is dead and that he promised that he'd take care of her if she were to ever show up. He's a tough guy and seems like he'd rather not have the responsibility, but he made a promise and he keeps it, which tells us something about his character right there.
The girl is put to work in the book shop, and one day while cleaning the back room, she finds a trunk. In the trunk, she finds more books, but these books are hollowed out inside and contain a variety of weapons. After Nino discovers that she's found the weapons and shows some knowledge of them, which she says she got from her father, he apparently trains her. The short ends with her grown up and she has the weapons strapped all over her. She's going to get her revenge, I believe against the people who killed her father, but I don't think it was clearly stated that that's who she wanted revenge against.
In any case, this was a brilliant looking piece of animation. The artwork was top notch and it just goes to show what you can do with animation. See, the short wasn't highly animated. Much of it was still pictures with certain things in the scene animated while the rest wasn't. This style of animation, while cutting down on production time, also has the side effect of setting a distinct mood for the piece. Alex Ferrari wrote the story, but the direction and animation credits for the short belong to Dan Cregan who did just a phenomenal job.
The incredibly hot Paula Garces from Harold and Kumar go to White Castle was a producer on this short, voiced the girl and will be starring as the girl in the feature film. I was pleasantly surprised to find that out when Alex told me. I really liked her in that film and it's great to see her involved in a film that Alex is making because he's simply just a brilliant and highly talented film maker.
The feature is in pre-production right now, but I'm telling you, after seeing what Alex has come up with in the past, I'm going to be waiting on the edge of my seat to see the new film. I just hope it doesn't take too awful long. I'm by nature highly impatient. Then again, stuff like this is worth the wait.
Red Princess Blues is making its way around to various film festivals. If you get a chance to see it, definitely make it a point to. It's simply brilliant.
If you'd like to find out more about this short and the upcoming feature, you can check out The Enigma Factory website at http://www.enigmafactory.com.
Anime Reviews | (Score: 5) |
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Posted by Duane on Tuesday, October 31, 2006 @ 23:00:00 Mountain Standard Time
How much can you really expect from a CGI movie that looks like one long cut scene from a video game? I wondered that when I was approached by Jim Connell and asked to review his CGI short entitled Saul Goodman. I mean, how good could it be?
Before I tell you how it was, I better tell you what it is. Basically, it the story of two guys who have a seemingly random encounter in a subway station. One guy is an older, former political aide, and the other is a young college student who, like the older guy just happened to miss his train. As they sit on a bench together, a conversation ensues that's vaguely Tarrantino-esque, but with a style all it's own. The older guy tells the young guy about the political candidate he used to work for and all the crooked stuff and cover-ups he was involved in.
The story is so engrossing and so deeply involved that you can't help but feel yourself pulled into it, hanging anxiously on every word. The interaction between the old guy and the younger guy is brilliant and the dialogue is snappy as hell. I can't remember the last time I saw a film with dialogue this good and a story this engrossing. Every piece of it intertwined and was connected with something else, and there's a surprise twist at the end that was totally unexpected, although telegraphed just slightly in the scene itself.
The voice acting was great throughout the film, and the only small thing that gnawed at me was the fact that the old guy's voice didn't seem to fit the image of the character. Still, that's only a minor nit picky thing and comes down to a personal feeling more than anything else. The voice acting was done by John Cammarata and Eric Scheiner, both of whom should be commended on their fine performances.
So how good could an all CGI short be? Bloody brilliant! That's how good. The story, the humor, the cool look of some of the scenes, surprises around every corner...it all added up to a thoroughly enjoyable and brilliant piece of film making. I really hope to see more from Jim Connell in the future, because if this film is any indication, he's got an incredible career ahead of him.
If you'd like to find out more about this film, check out the film's website at http://www.saulgoodman.net.
Anime Reviews | (Score: 5) |
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Posted by Duane on Sunday, October 01, 2006 @ 00:00:00 Mountain Daylight Time
Post-apocalyptic wasteland? Check! Deadly martial arts? Check! Exploding heads??? Double check! This anime flick has it all! The Fist of the North Star is a full-length feature based upon a series of Japanese manga comics. It centers around a young nomadic warrior named Ken, and as you may have guessed, he is the "Fist of the North Star." Ken wanders the wasteland which is all that is left of a modern world destroyed by greed, and a butt load of nukes! In these trying times the people of the land are barely surviving from a lack of uncontaminated water and food. This is where Ken comes in as he fights to restore the world to the flourishing landscape it once was. He is the biggest badass around and he can punch dudes and cause them to explode! Unfortunately for Ken, his menacing brothers Jagi and Raoh are on his heels every step of the way. They each want to be known as the "Fist of the North Star," a title bestowed upon Ken by their teacher/father Ryuken. Each of them possess a different deadly ability: Ken has the whole exploding punch thing, Raoh has force lightning worthy of the Emperor Palpatine himself, and Jagi can hit the ground and create huge fissures. The story kicks off when Ken's former best friend Shin and his gang of baddies attack Ken and the love of his life, Julia. Shin wants Julia for himself, so he trashes Ken, and pokes numerous holes in Ken's chest, causing Ken to bleed ridiculously. Yet, despite his mortal wounds, Ken somehow survives. Shin, who was "Fist of the South Star," proclaims himself the new "Fist of the North Star," takes Julia, and runs off as Jagi and Roah watch everything from a distance. After Shin leaves, Jagi takes Ken to a canyon and throws him in, but Ken later returns, with a vengeance! During Ken's long disappearance, Jagi has wreaked havoc on towns claiming to be the "Fist of the North Star," and Raoh has started on a quest to become the ruler of the world. During his journey to rescue Julia and stop the evil machinations of his brothers, Ken teams up with two youths, one of which has the ability to make plants grow, and another wandering warrior named Rei. He must save Julia, defeat his evil kin, and save the world! "Fist of the North Star" is a good movie to see if you’re a hardcore anime fan, or just curious about the genre. Also give this cool flick a look if you’re really in to the Mad Max movies, which bear a striking resemblance to a lot of Fist’s design elements. (There’s even a mowhawked motorcycle gang!) One of the minor downfalls of the movie is that its plot has been recycled quite a bit. The other is that by today’s standards, the animation in the film looks a bit dated. And speaking of the look of the movie, Fist of the North Star, like a lot of other early anime, is a very gory flick. People explode and get ripped to shreds every few moments! It's wonderful! Bottom line, this is an awesome title and definitely worth checking out! (Note: "Fist of the North Star" is currently out of print, but Region 0 copies of the film can be found online. And make sure you're buying the anime and not the terrible live-action flick that came out in the 80s!)
Anime Reviews | (Score: 0) |
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Posted by Duane on Tuesday, August 01, 2006 @ 00:05:00 Mountain Daylight Time
Next year Michael Bay (otherwise known as the only director who shoots his films with the attention span of a crack-addicted, voyeuristic teenager) will release his sure-to-be epic adaptation of The Transformers. The recently released teaser trailer for the film is the very definition of sensationalism, making the project seem like a landmark in cinematic history. From the raw emotion of the background music and abundant use of ominous text cards you’d think the darn thing is about the Biblical apocalypse rather than, say, robots that turn into cars. What I’m trying to say here is Bay may be taking the source material a bit too seriously, since the original film version of the toy line is mindlessly dumb and seems to be comfortable in knowing that fact.
What passes for a storyline in The Transformers: The Movie is complicated to the point of excess, considering the script’s only real purpose is to get us from one robotic battle to the next. This is proof positive of my not being the intended audience for this picture, since dedicated fans will surely get more out of the plot than I ever could. Taking place in the distant future of 2005, TT:TM sees the do-gooder Autobots (led by Optimus Prime, who can turn into a semi-truck) facing off once more against the evil Decepticons (led by Megatron, who…turns into a really stupid pistol). Both factions find themselves dealing with a force much more powerful force in Unicron, a true-blue bastard of a planet whose only purpose in life is to eat other planets whole. Padding is added in the form of subplot after subplot, including the death of Optimus Prime (a scene so sappy in execution it made me laugh) and various adventures on different planets due to ship malfunctions.
As I said earlier, while the actual twists and turns of Transformers are completely inconsequential, at least the movie seems to realize and in fact revel in its own contrived nature. The cast of robots is immense for no other reason than to introduce new figurines for the ’86 shopping season, and proceedings often stop dead in their tracks for one lame-brained mechanical skirmish after another. It’s safe to say the movie is violent to the point of excess, with swarms of androids dieing left and right. After a while the sight of robots having their brains, chests, and kneecaps blown away by laser fire actually got a little sickening. Chalk it up to the mentality of the ‘80s, I suppose, since nowadays kids seem to be championing more peaceful folk like SpongeBob Squarepants, but at least there’s no hint of an apology for the carnage and mayhem onscreen.
What really rockets this animated spectacle into the stratosphere of insanity is not its constant pumping of adrenaline or crass sense of commercialism. No, it’s the soundtrack, heavily weighed down by more cheesy, hair band-driven rock ballads than you can shake a glittery, neon-colored stick at. Artists include Lion, N.R.G., and Kick Axe, whom I’m sure we all remember for their various hits, such as “The Touch,” “Nothin’s Gonna Stand in Our Way,” and “Dare.” There’s more than enough cheese to sample when you’re with this crowd, but throw in Weird Al Yankovic’s “Dare To Be Stupid” and suddenly you’ve achieved schlock genius. You haven’t lived ‘til you’ve seen cartoon ‘bots grooving to the Divo-inspired rhyming styles of Weird Al. And if you think you have, then buddy, you are just plain wrong.
I’ll end this review by taking stock of the vocal talents on display, since there are quite a few surprises amongst the credits. Eric Idle of Monty Python fame shows up to play Wreck-Gar, though I’d be lying if I said I remembered anything about the character. Voice-over staple Casey Kasem also appears Cliffjumper, who I have to assume was the robot that…jumped off…cliffs? You can see how much I paid attention during all of those battle sequences. Leonard Nimoy apparently took a break from recording all of those unreleased Hobbit albums to play Galvatron, a souped-up version of Megatron who I’m sure was a big hit at toy stores. Last but not least is Orson Welles, who earned his last film credit with Transformers by playing the diabolical Unicron. When asked about his character, Welles had this to say:
"(I play) a big toy who attacks a bunch of smaller toys.” A cynical description, yes, but accurate nonetheless. Listening to Welles you can almost picture him leaning back in a creaky armchair throwing back martini after martini during his studio sessions. It’s no wonder the man couldn’t remember his character’s name when asked, since it must be pretty darn humbling to go from playing Death in The Hearts of Age to a hungry planet with plans for universal domination.
What can really be said about The Transformers: The Movie when you get right down to it? Fans will more than likely be satisfied, but I highly doubt any already wary viewers will be converted by its sensor-slamming visuals and uber-geeky moments (a kid cries over the death of a semi-truck, people). Based on this experience, though, I am a bit more interested to see just what Michael Bay will do when his time behind the camera comes around. Will he include keyboard ballads and quavering rock verse? One can only hope.
Anime Reviews | (Score: 5) |
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Posted by Duane on Tuesday, January 31, 2006 @ 23:00:00 Mountain Standard Time
Man, Kintaro's sure had a rough time of it in volume four of the Salaryman Kintaro series. He ends up with a jealous rival in the company who tries to have him killed, gets hit by a car, gets a broken arm and a concussion, gets transferred to some other branch of the company in some other town where he's beaten up by his new boss...twice, and to top it all off, he's got more women after him than he can handle, which as you all know can lead to nothing but trouble.
Still, it's not all bad. Kintaro meets up with a bizarre old woman who's kind of like a yakuza elite and has massive amounts of money. She becomes so impressed with him that she tells another boss that we met in the first series that he's the kind of a man she could leave all her money too when she dies. We also find out that the president of Yamato Construction has sent Kintaro to this new position because he's basically grooming him to become the next president of the company, and plans to have him ready to fill that position before the old man dies. So this was kind of a mixed bag for Kintaro in this segment of the series.
What I really love about Salaryman Kintaro is that it's inspiring. Kintaro is ultimately honorable and is constantly surprising people and earning their love and respect because of it. He makes them remember that there is honor in the world and that it only takes a little personal courage and dedication to one's beliefs to be an honorable person. Something that's been lost in the day to day hustle of the workplace where the bottom line has become king and the dignity of its workers has long since slipped to the bottom of most companies' priority list.
My wife loves this series as well, and as we were watching this fourth volume, I commented to her that seeing Kintaro beaten up in the last series and beaten up in this one as well, added a real human quality to him, which allowed him to still come off as an incredibly tough guy while allowing him to be human and have human frailties which he has to deal with at the same time.
I'll admit it too. I'm a big softy. I'm often touched by how human and genuine his character is. He meets his father in this series for the first time in twenty some odd years at the grave of his mother on the anniversary of her death. There was no bitterness in him at all in the meeting. His father, having the same character that Kintaro has, had gone to jail for twenty years to protect someone he was involved in a hit with. The man had a wife and a child that was about to be born, and even though Kintaro's father didn't kill anyone during the hit, he took the rap for it so the other guy to take his wife and child to another town to start a new life. Kintaro meets up with the man during this volume, and the man tells him what happened and begs forgiveness. Still, no hatred from Kintaro, but sadness for the burden of regret that the man has had to carry.
I know I keep saying it, but this series is nothing short of brilliant. The writing is just incredible and the story and charcters are so inspiring that it makes you want to keep watching episode after episode hoping that it will never end. Unfortunately though, it does end. I believe volume 5 will be the final volume in the series. I have an advance copy of it and will be reviewing it soon, but it will be a sad bit of writing for me knowing that the series has reached it's conclusion.
I don't think there will ever be anything for me that measures up to what I've experienced in this series. It's been a personal joy for me and an inspiration that is hard to put into words. Basically, all I can do is encourage you to see it. Once you do, you'll know what I've been talking about.
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Posted by Duane on Tuesday, January 31, 2006 @ 23:00:00 Mountain Standard Time
At the beginning of the third millenium Earth suffers a catastrophe when a massive meteorite impacts in Antarctica. The polar ice cap melts as a result of this event and the seas begin to rise worldwide. Approximately half the Human population of Earth is wiped out in the ensuing chaos. Nearly fifteen years later, what is left of the Human race seeks refuge in huge subterranean cities. Above them on the planet’s surface a war is raging for control of the Earth…and for what may be hidden beneath it’s surface. On one side of this deadly conflict are the strange and mysterious extraterrestrials known only as Angels, while on the other is Humanity’s last best hope for survival: the special agency known as NERV and their latest tools to defend mankind, the gigantic Evangelions.
The series centers on fourteen year-old Shinji Ikari, a new pilot recruited by NERV and the son of the organization’s mysterious director, Gendo Ikari. He is the third person to qualify as an Eva pilot, after the quiet Rei Ayanami and the prideful Asuka Langley Soryu. Shinji hardly knows his father and is sent to live with Major Misato Katsuragi, NERV’s operations manager and sole survivor of the impact in Antarctica. Quickly thrust into the heat of battle with the giant Angels, Shinji must deal with his own doubts and insecurities, learn to pilot an Eva and adjust to a new school. Adolescence was bad enough before the survival of the earth was at stake!
Despite the continual onslaught of the enigmatic Angels, mysteries surrounding NERV and the people running it persist, as well as dozens of unanswered questions concerning the original meteor impact, known now as The Second Impact. Just why was the Earth attacked all those years ago? Why does NERV classify the first Angel to attack the city of Tokyo-3 as the third Angel rather than the first? What secrets lie hidden deep within NERV’s headquarters? What is the truth behind the origin of the Evangelions? Why are children born exactly nine months after the second impact the only persons qualified to pilot the Evangelions? What is Gendo Ikari’s true agenda? These and other questions plague the main characters in this seminal anime series.
If you like your science fiction deep and thoughtful, then this is the series for you. This one excels at both deep character introspection as well as more sweeping examinations of the meaning and perception of thought and reality. In a word: it’s weird. There is plenty of Mecha action, big science fiction concepts, well developed and realistic characters, religious undertones and a twisting plot with enough surprises to please the most Machiavellian of viewers. However, be warned – for the first twenty-four episodes things are great. The series builds on each new revelation and the mysteries only deepen, but in the final two installments things just go straight to hell. To call these last two episodes weird is a MASSIVE understatement. Do not expect to have everything neatly tied up at the end and definitely count on having to decide for yourself just what the hell happens. For those who want their endings to be less cryptic, then check out the feature length movie The End of Evangelion, which supplies a slightly more sensible alternative to those last two installments and contains a much more satisfying conclusion…but even it leaves the viewer with plenty of questions.
Anime Reviews | (Score: 0) |
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Posted by Duane on Tuesday, January 31, 2006 @ 23:00:00 Mountain Standard Time
Unbeknownst to the masses of mankind who are only more than happy to go about their lives in blissful ignorance, there is a secret war being waged in the darkness of the night for the continued safety of human civilization. The enemy first appeared centuries ago in the form of blood-sucking vampires, but now in more recent years artificially spawned ghouls and vampires have been cropping up all over the globe and expanding their sphere of influence over humanity. One group that stands up to this shadowy threat is the Mysterious Hellsing Organization. Run by Sir Integra Wingates Hellsing, the last member of her legendary family and based in London, the group is pledged with protecting both queen and country from the creatures of the night. In addition to their many operatives, troops and armaments, the Hellsing Organization wields a secret weapon in their war against the undead – Arucard, a powerful vampire that aids them in their struggle to rid the world of monsters.
The young and talented Hellsing agent, Seras Victoria, is nearly killed on a mission to track and eliminate a vampire posing as a priest. She is saved by Arucard, whom she willingly allows to transform her into a vampire in order to survive. Afterwards, she struggles with her newfound appetite for blood as well her dedication to the Hellsing group. Her newly formed relationship with Arucard, now her master, is also explored. Arucard himself is a mystery. Supremely powerful, he is more than a match for almost anything out there, yet why does he hunt his own kind on the orders of humans? Just who is he, really? On the flip side of the coin from the Hellsing organization is the Vatican’s own secret group – Section 13, also known as the Iscariot Organization. Tasked with the same mission to eliminate all the denizens of the dark, they often clash with Hellsing personnel over ideological differences. They are personified in agent Alexander Anderson, a skillful and deadly warrior who exhibits mysterious abilities on par with the powerful Arucard, and with a vicious streak that belies his Catholic ties.
This short series of thirteen episodes is based on the popular Manga of the same name and follows the exploits of the Hellsing group as they fight the good fight against ancient vampires, ghouls and an entire new breed of artificially created monsters. While somewhat episodic, there are a few story threads that are woven through the series and that come to a head in the final episode. Alas, this series is only based on part of the Manga and the story is known to continue past the events shown in that last installment. While many fans have been clamoring for a second series or continuation, all we have at this point is the existing thirteen episodes. Fans of horror and/or of vampire lore may want to check this series out. The stories as well as the characterizations are extremely well done. Arucard makes for the classic anti-hero: strong and confident, yet with a cruelty and contemptible demeanor that affirms his identity as a vampire. There is a fair amount of swearing and because of the topic at hand, there is plenty of blood, guts and graphic violence. This one is definitely not for the kiddies. Things are wrapped somewhat satisfactorily, but if you are like me, you’ll be wanting more.
If you would like to see this series or learn more, check out the ADV website at http://www.advfilms.com.
Anime Reviews | (Score: 5) |
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Posted by Duane on Monday, October 31, 2005 @ 23:00:00 Mountain Standard Time
In the futuristic Judoh City – one of seven huge, self-contained nation-cities that float upon the ocean, the police forces are not always enough to stem the flow of crime. For that reason, the Special Forces Unit is created and tasked with the mission of investigating possible crimes and preventing them before they can take place. Although androids are illegal in Judoh City, there is one exception – the android known simply as J, who works in the Special Forces Unit and who is partnered with Daisuke Aurora. Daisuke is something of a loose cannon, but his keen instincts are what convinced the Chief of Judo’s Police force – who just happens to be Daisuke’s older brother Shun, to shuffle him off to the Special Forces Unit, which is seen as something of a joke. Understaffed and severely underbudgted; Daisuke along with J and bean counter Kyoko Milchan do their best to perform their jobs. This isn’t always easy, as a recent shake-up in Judoh’s criminal underworld has left a power vacuum and gang bosses are flexing their muscles in a bid to be top dog...or in this case, Vampire, the title for the head of Judoh’s organized crime.
There is plenty to keep the Special Forces Unit occupied. Such things as illegal androids, unauthorized immigrants from other cities, possible crooked behavior in the upper echelons of city government, escaped prisoners who have had their heads and faces surgically altered to resemble animals, and much more are all things with which Daisuke and J must contend. In addition, Daisuke must come to terms with his own feelings, as his father was murdered by a rogue android. And then there are the mysterious Celestials, who watch over all of the cities and whose enigmatic technology enables everything to run. Who are they and what plans do they have for the citizens of Judoh? In the end Daisuke must confront demons from his own past as well as what may be locked in his partner J’s memory when it seems his own brother is at the center of a massive conspiracy involving crime lords and corruption at the highest levels of Judoh’s administration.
This is the series that Robocop should have been. Though most episodes feature a self contained story (there are a couple of two parters, though), like many other anime series, there are a few subtle plot threads that are touched upon from time to time and carry over through the entire series. A few of the characters introduced in early installments, and who seem like throw-aways, return in later episodes to help flesh out the overall story. The main character of Daisuke Aurora is interesting in that he has a slight, almost effeminate build, yet his wit and determination allow him to take on the toughest opponents that he may cross paths with. His exchanges with J are fun, too with J being the ultimate straight man. J himself is different from other science fiction androids. While being sentient and offering up advise and lessons on how Daisuke can be a better man, J holds no illusions about his own destiny. He knows what he is, is happy with it and while adhering to his own advice, doesn’t long to be organic like other androids might do. That in itself is a refreshing change of pace.
The writing is top notch with excellent characterizations and character development. The weekly cases for Daisuke to solve are interesting, well constructed and usually involve a scifi spin on a more contemporary cases. All in all, this is a fun series. It builds slowly, but finishes off rather nicely. Check it out.
If you would like to see this series or learn more, check out the Geneon website at http://www.geneonanimation.com.
Anime Reviews | (Score: 0) |
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Posted by Duane on Thursday, September 01, 2005 @ 00:00:00 Mountain Daylight Time
Hideki is a seventeen year-old country boy from Hokkaido who has arrived in the big city in order to go to college. Alas, his grades were not all that great so he must first attend a prep school. He finds an apartment to rent, a day job to pay the bills and manages to make some new friends, but what really has drawn his attention are the multitude of Persocoms – personal computers that are designed to look and act like animals or people, that are in abundant supply in the city. Far too poor to afford one of his own, he is delighted when one night on his way home, he finds a discarded Persocom in the trash…one in the form of an attractive young girl. He takes it home and manages to activate it, but the Persocom only manages to say one word: “Chi.” He quickly adopts this as her name and sets out to learn as much as he can about Persocoms.
He finds help in the form of his neighbor Hiromu Shinbo, who owns a Persocom named Sumomo that resembles a small doll; and Minoru Kokubunji, a wealthy young boy who builds custom Persocoms as a hobby. With their help he uncovers some startling facts about Chi. It seems Chi has no memories before being activated by Hideki, despite the obvious fact that someone owned her and discarded her. Also, she is mysteriously able to function despite not having an OS installed and has some type of advanced software protection that prevents anyone from accessing her memories. Further, certain books have a strange effect on her and she displays a child-like persona of innocence. Could she be one of the legendary Chobits – mythical Persocoms that supposedly possess free will?
This series is mostly comical in nature and light in tone. The naïve and inexperienced Hideki struggles to balance school, work, friends and maintaining a distractingly cute Persocom. Chi slowly develops with Hideki’s help, growing from a machine that can only say one word to a fully realized female with feelings and desires of her own…though getting there is not always easy for all involved. Hideki must also deal with his obvious attraction to Chi. This is only made harder because of Chi’s uncompromising admiration and devotion to Hideki as well as her good looks. This makes for some awkward, yet hilarious moments of misunderstanding, especially as Chi learns more about the world and her own nature.
I must admit that this is a fun series. Yes, the DVD covers are girlie-looking in the extreme, and the story contents seem to lean more toward chick-flick relationship fare than the usual science fiction themes concerning AI, but the characters are just so darn appealing that it is hard to resist. The episodes are mostly stand alone in nature, yet each story advances the overall arc in it’s own fashion. The vast majority of the stories are humorous romps that focus more on the characters than any big scifi concepts. Not that those deep ideas on the nature of love and what makes us truly Human are missing, its just that they’re wrapped in a much more enchanting storyline. Don’t expect to see big explosions, giant mecha or anything else of that nature. If you do, you will be greatly disappointed. However, if you are in the mood for a funny and romantic romp, check this one out.
If you would like to see this series or learn more, check out the Geneon website at http://www.geneonanimation.com.
Anime Reviews | (Score: 5) |
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Posted by Duane on Friday, July 01, 2005 @ 00:00:00 Mountain Daylight Time
The
Place Promised In Our Early Days is the creation of Makoto Shinkai, and
tells the story of three friends who...actually, I guess I should start
with a little back story. In 1974 Japan split into the north and the
south. The north is still called Japan, while the south is now known as
the Union Territory, which included Hokkaido. Families were split, just
as the country split. No one was allowed to cross from one side to the
other. Some time shortly after the split, a physicist in the Union
named Ekusun Tsukinoe proved the existence of parallel universes. He
began construction on a massive tower that was so tall, it could be
seen from incredible distances. In 1996, the tower was completed. The
Union was far ahead of Japan and the rest of the world in this multiple
universe research, and the Japanese and the Americans were desperately
trying to catch up, as they felt it might be a way to look into the
future, so they could make decisions now based on what the current
timeline's future showed them.
Two middle school aged friends, Hiroki Fujisawa and Takuya Shirikawa
have watched this tower for years, and had become quite obsessed with
it. Both of them were extremely advanced for their ages, and began
construction on a highly advanced two-seater aircraft that they would
fly into the Ezo Territory so they could finally have an up close look
at the object that has possessed their very souls as far back as they
could remember. During the years they spend constructing the plane, a
girl named Sayuri Sawatari entered the picture. Hiroki secretly loves
her, and she ends up coming with them to the abandoned hangar where
they're building their plane, the Bella Ciela. Hiroki promises her that
someday when they're finished, he'll take her to see the tower.
Time passed, and eventually Sawatari disappeared, and neither boy knew
what had happened to her. Eventually they go their separate ways
without ever completing the plane they had obsessed over for years.
Sawatari in fact had fallen into a deep sleep, and now three years had
passed without her waking up, and the two boys went off to different
high schools.
Eventually it's discovered that Sawatari's sleep and her dreams are
related to the tower somehow. Every time she starts to wake up just
slightly, the tower activates and a small amount of the area around it
is replaced with matter from an alternate universe. The scientists keep
her asleep to keep this from happening, and it's only later, after
Hiroki begins to meet Sawatari in his dreams, that he finally begins to
understand what's happening. She's recieving information from alternate
universes and her brain can't handle it, so she sleeps. Stuck in one of
the alternate universes, seeing the dreams of the universe. Hiroki
knows that the only way to get Sawatari to wake up is to get her to the
tower. Unfortunately, taking her to the tower and waking her up will
cause the tower to activate and potentially destory the world.
During the years that passed, Shirikawa had joined a research facility
that was working on the multiple universe theories. They discovered
Sawatari's link to the tower and understood what would happen if she
were to awaken. Also during these years, Shirikawa became involved with
a group called Uilta. They had one goal and one goal only, and that was
to destroy the tower. The rest of the film revolves around Hiroki and
Takuya trying to get Sawatari to the tower to wake her up, and then
ultimately destroying it.
While this movie does have beautiful animation and artwork, I found the
story considerably lacking. It kept jumping forward in time, covering a
span of over three years, while failing to provide some very needed
back story details that would have helped the whole thing to make a lot
more sense. When taken as a whole, it does eventually make sense to
some degree, the lack of details throughout the first half of the movie
leaves you feeling like something is missing.
The way the story jumps around from time to time and the way people
change over the course of that time makes you wonder why they changed
the way they did and what events shaped them. None of this is really
covered in depth, if it's ever covered at all. With the multiple
universes thing and the whole thing with Japan splitting into two
separate entities back in 1974, I was wondering if this whole thing was
actually taking place in a parallel universe. The story would have been
much better served if it had taken place in the future where such an
occurrence would be possible. Setting the split back in 1974 makes you
feel like it's not taking place in our universe at all. And truth be
told, it may not be, but they're never really clear about that.
In a way, this is actually a coming of age story between the three
friends. On that level it works pretty well, as you get to watch them
in their early years when their dreams were like a ripe fruit, ready to
be tasted if they only had the courage to reach out and grab it. Then
as time passes, you see how jaded they've become with the disappearance
of Sawatari and the loss of the dreams that filled their hearts with
joy when they were younger.
This leaves me somewhat torn as to how I feel about this film. The
coming of age story and the relationship between the three friends
worked, while the whole story with Sawatari being linked to the tower
and the whole thing with Japan splitting and Japan and the Americans
going to war against the Union Territories didn't really work all that
well due to lacking details. We do find out late in the film that
Ekusun Tsukinoe, the man who built the tower, was actually Sawatari's
grandfather that she had never met. Yet still nothing was explained
about why or how she was linked to it. These lacking details hurt what
could have otherwise been a very enjoyable film.
Did I like this film? Well now that it's over and I understand a little
better what was going on, I'd have to say that I did in fact like it,
although it's not going to rank up there as one of my all time
favorites. The voice acting was quite good, the artwork and animation
were both great, but the story just left me wanting. The film was 91
minutes long, but I feel as though a considerable amount of that was
wasted on unimportant events rather than telling the details of the
story that would have made it more enjoyable. I know a lot of people
absolutely love this film and will probably accuse me of just not
understanding it or not being able to appreciate what a great film it
really is. Maybe that's the case, maybe it isn't. But my job as a
reviewer is to tell you all what my reaction to a film is, and to be
honest about it. Some will agree with me, some won't. Such is the way
of the world. I did like this film. I'd be lying if I said I didn't,
but I had a hard time following the story, and in the end I just ended
up feeling like it could have been more than it was.
If you'd like to find out more about this film or check out some of
ADV's other releases, you can head on over to the ADV website at http://www.advfilms.com. The DVD is available through all the usual outlets.
Anime Reviews | (Score: 4) |
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