Screenwriter and director Ryan Nicholson, a name synonymous with gruesome creations, in this case no fan of the genre will Famine, fulfilling the wish list for many dedicated horror fans and exceeding the extremism for excessive gore which spreads itself in tidal waves of bloodlust. Ryan, who is most noted for his film Gutterball (2008), a film that fitted fans with gore, guts, sexploitation, and perhaps one of the intense brutal rape scenes ever to grace a horror film, spins a new tale with the help of fellow screenwriter Jeff O’Brien. Together these two writers bring every bit of over-the-top splatter-fest, mixed into a beyond controllable campy b-movie horror blitz, though lying just under the surface of this 77-minute horror flick, a therapeutic revenge story.
First, the obvious point that many critics choose to signal out as one of the main downfalls of the film, the bad acting, actually the sloppy acting comes as intentional. In fact, it all plays off the name of the school ‘Sloppy Secondary’ and the mayhem that occurs adds more to the incident which occur years before and repeats itself again, (hint) ‘Sloppy Seconds’. Then add in, the technical aspect, well paced, and very good camera direction, and the outrageously comical delivery of the script with seriousness, gusto, and without any stumbling of hesitation. The title alone, marks lunacy, a 24-hour lockdown imprisonment, to starve oneself for awareness of other children in third world countries, while there hormones race at full throttle. These students, children themselves, participate in good fun for the extra credit, and in what wacky world would any this bizarreness occur, but in an inside out intentional offensive horror movie. Ryan’s cast who many appeared in his 2010 production Star Vehicles, name, Nathan Durec (Balszack a sexual innuendo name), Glen Hoffman (Principal Nielson), Christopher Lomas (nick) and Ady Megia (Andrea), rounding out the group with extremely tendencies, Beth Cantor and Christine Wallace. Beth acts and nails the role of, Cathy, a hilarious female form of Lewis Skolnick (Revenge of the Nerds (1984)) while Christine competes wildly as Jenny few a mind-blogging facial tics and Asperger Syndrome. Although, for extra measure, Ryan himself stars as The Nailer character, which appears as cross between a life-size happy Howdy Doody and Miner 49er, school mascot, who enjoys whacking students in the head with several devices, including a nail gun.
Famine, comes complete with amusing elements, that fulfill a checklist of slasher film inside a maze of lockers, and classrooms, filled with bodies of students piling up and blood oozing, leaking, spilling and cascading in a slippery watershed blood-soaked tantalizing kills. It has the marks of a group of filmmakers, left alone with an unlocked practical special effects closet of tools to deliver unto the characters life defining moments. The body count adds up quickly and the students find themselves wearing less and less at every given moment, and that only triggers bigger stunts of extremely full blown disembowelments and zany throat slashing sprays of blood, that have serial killers Jason and Michael Myers fans eyes bouncing around in their sockets. The entire film excites horror fans seeking to have a wonderful time, with a silly, comical, never seriously admitting to the ridiculous nature of the absurdities that occur, time after time, with relentless bombardment of gore and messy situations. One can only imagine the behind the scenes of this film’s set, as it appeals to a wonderful and jovial cast willing of lather up in layers of latex and gallons of blood. Most taglines merely suggest an element in a film, however, Famine’s reads “20 students, 20 hours, 20 horrible ways to die” lives up to every essence of that statement, never once backing down nor away from the goal.
If one recalls the comedy, oversexed antics and silliness of Porky’s where multiple jokes involved sex organs, and then flipped the storyline and script, complete with the conditions of a popular 1980s’ gutter version high school slasher splatter platter of blood and guts, then one has Famine. This nasty scene filled horror film, granted a fully pushed to maximum level of legal cinematography, won’t cause nightmarish more have chilling effects on your live, but definitely have oneself longing and craving Ryan’s next advantage.